跳转到内容

英文维基 | 中文维基 | 日文维基 | 草榴社区

File:TheFaulknerPortable.jpg

页面内容不支持其他语言。
这个文件来自维基共享资源
维基百科,自由的百科全书

TheFaulknerPortable.jpg (591 × 412像素,文件大小:56 KB,MIME类型:image/jpeg


摘要

描述

The "Faulkner portable": American novelist William Faulkner’s (1897-1962) Underwood Universal Portable typewriter, resting on a tiny desk his stepson helped him build. This space at Rowan Oak, the author's home, was part of the back porch until Faulkner spent part of a Random House advance to enclose it in 1952, long after he had written his seminal Compson and Sartoris family novels. He insisted that this room not be called his "study." According to biographer Joseph Blotner, "he did not study in it, so there was no sense in calling it that. It was the 'office,' the traditional name for the room in the plantation houses where the business was transacted." As to the typewriter itself, Underwood introduced its Universal Portable in the mid-l930's among a full line of portables such as Champion, Noiseless Portable and Junior. Faulkner had a habit of buying used portables locally, wearing them out, then trading them in on more used portables. This Underwood was one of at least three typewriters in Faulkner`s possession at the time of his death (the University of Virginia has one, too). So, this is no more "the" typewriter any more than those square carpenter`s pencils next to it are "the" pencils. Had Faulkner lived a few more years, this machine would have met the same fate as the rest. Still, the room has a resonance. BOOK magazine was publishing an article of mine on "Yoknapatourism," and thinking (mistakenly) that the editors hadn`t already selected a photographer, I returned to Oxford on a rainy October afternoon to make my own pictures for submission. The travel piece was eventually illustrated with sunny-day brochure shots, but I was happy to keep this one for myself. There was no direct lighting within the office, so I let the film take its time, soaking up faint incandescent glow from the library and main hallway, which neatly balanced the cloudy daylight. I used the camera`s timer so my hand wouldn't jostle the tripod, and I even backed out of the room--in part to let the scarce light do its work and, I think, because I wanted Faulkner`s office truly vacant.

Trivia: the book next to the typewriter is the 1939 edition of Writer's Market.

Thanks to Bill Griffith, curator of Rowan Oak, for letting me past the Lucite wall and to Milly Moorhead West for lending me the tripod. - Gary Bridgman
日期
来源 own work, http://www.southsideartgallery.com
作者 Gary Bridgman
授权
(二次使用本文件)
credit to read Gary Bridgman, southsideartgallery.com

许可协议

我,本作品著作权人,特此采用以下许可协议发表本作品:
GNU head 已授权您依据自由软件基金会发行的无固定段落及封面封底文字(Invariant Sections, Front-Cover Texts, and Back-Cover Texts)的GNU自由文件许可协议1.2版或任意后续版本的条款,复制、传播和/或修改本文件。该协议的副本请见“GNU Free Documentation License”。
w:zh:知识共享
署名 相同方式共享
本文件采用知识共享署名-相同方式共享 3.0 未本地化版本许可协议授权。
您可以自由地:
  • 共享 – 复制、发行并传播本作品
  • 修改 – 改编作品
惟须遵守下列条件:
  • 署名 – 您必须对作品进行署名,提供授权条款的链接,并说明是否对原始内容进行了更改。您可以用任何合理的方式来署名,但不得以任何方式表明许可人认可您或您的使用。
  • 相同方式共享 – 如果您再混合、转换或者基于本作品进行创作,您必须以与原先许可协议相同或相兼容的许可协议分发您贡献的作品。
本许可协议标签作为GFDL许可协议更新的组成部分被添加至本文件。
w:zh:知识共享
署名 相同方式共享
本文件采用知识共享署名-相同方式共享2.5 通用2.0 通用1.0 通用许可协议授权。
您可以自由地:
  • 共享 – 复制、发行并传播本作品
  • 修改 – 改编作品
惟须遵守下列条件:
  • 署名 – 您必须对作品进行署名,提供授权条款的链接,并说明是否对原始内容进行了更改。您可以用任何合理的方式来署名,但不得以任何方式表明许可人认可您或您的使用。
  • 相同方式共享 – 如果您再混合、转换或者基于本作品进行创作,您必须以与原先许可协议相同或相兼容的许可协议分发您贡献的作品。
您可以选择您需要的许可协议。

说明

添加一行文字以描述该文件所表现的内容

此文件中描述的项目

描绘内容

版权状态 简体中文(已转写)

版权所有 简体中文(已转写)

摄影器材 简体中文(已转写)

佳能 EOS 300D 中文(已转写)

文件历史

点击某个日期/时间查看对应时刻的文件。

日期/时间缩⁠略⁠图大小用户备注
当前2020年9月5日 (六) 10:112020年9月5日 (六) 10:11版本的缩略图591 × 412(56 KB)0m9EpBrightness, color, crop
2007年3月20日 (二) 00:552007年3月20日 (二) 00:55版本的缩略图800 × 532(60 KB)Bridgman{{Information |Description=The "Faulkner portable": American novelist William Faulkner’s (1897-1962) Underwood Universal Portable typewriter, resting on a tiny desk his stepson helped him build. This space at Rowan Oak, the author's home, was part of th

以下页面使用本文件:

全域文件用途

以下其他wiki使用此文件:

元数据