File:Empress Consort Haruko.jpg

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作者	Uchida Kuichi  (1844–1875)     別名 K(y)uichi Uchida; Kuichi Uchida 描述 日本攝影師 出生/逝世日期 1844年  1875年2月17日  出生/逝世地點 長崎市  神田駿河台  作品年代 1860年 –1875年  權威檔案 : Q509907 VIAF: 65191026 ISNI: 0000000019744342 LCCN: no2021147057 GND: 133259927 BNF: 16640077f WorldCat creator QS:P170,Q509907
描述	English: Portrait of Empress Consort Haruko (posthumously known as Empress Shoken, consort of Meiji, Emperor of Japan, 1872. Uchida Kuichi was the only photographer granted a sitting by the Emperor Meiji and in 1872 Uchida photographed the Emperor and Empress Haruko in full court dress and everyday robes (Kinoshita; Ishii and Iizawa).
日期	1872年 date QS:P571,+1872-00-00T00:00:00Z/9
表現方法	Albumen silver print
來源	The Cleveland Museum of Art user:Pinkville
其他版本	Higher quality version

• Bennett, Terry. 'Early Japanese Images' (Rutland, Vermont: Charles E. Tuttle Company, 1996), p. 54; p. 133, fig. 129.
• Canadian Centre for Architecture; Collections Online, s.v. "Portrait of Empress consort Haruko" archive copy at the Wayback Machine
• Ishii, Ayako, and Kotaro Iizawa. 'Chronology'. In 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), 314.
• Kinoshita, Naoyuki. 'The Early Years of Japanese Photography'. In 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), 27.
• Nagasaki University Library; Japanese Old Photographs in Bakumatsu-Meiji Period, "Portrait of Empress Dowager Akinori", [cited 12 August 2008]
• Robinson, Bonnell D. 'Transition and the Quest for Permanence: Photographers and Photographic Technology in Japan, 1854-1880s'. In 'A Timely Encounter: Nineteenth-Century Photographs of Japan' (ex. cat.; Cambridge, Massachusetts: Peabody Museum Press, 1988), p. 42, figs. 36, 37.
• Tucker, Anne Wilkes, et al. 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), p. 55, pl. 30.
• Worswick, Clark. 'Japan: Photographs 1854-1905' (New York: Pennwick/Alfred A. Knopf, 1979), p. 40, repr.; pp. 136, 147.

	本作品在其來源國以及其他著作權期限是作者逝世後100年或以下的國家與地區屬於公有領域。 這個作品在美利堅合眾國屬於公有領域，因為它首次發布早於1929年1月1日，或於該日期之前在美國著作權局登記。
此作品無已知的著作權限制，亦不受所有相關和鄰接的權利限制。

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