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《最後生還者 (電視劇)》分集
In an abandoned, newspaper-covered building, Joel kneels in front of Ellie and hands her a gun.
Joel（英語：Joel (The Last of Us)） trusts Ellie（英語：Ellie (The Last of Us)） enough to allow her a gun.[1] One of few interiors in the show filmed on 外景拍攝,[2] the scene was praised for 佩德羅·帕斯卡 and 貝拉·拉姆齊's performances.[3][4]
劇集編號第1季
第4集
導演Jeremy Webb
編劇Craig Mazin（英語：Craig Mazin）
音樂
攝影師Eben Bolter
剪接Timothy A. Good
首播日期2023年2月5日 (2023-02-05)
長度45 minutes
客串演員
分集時序
← 上一集
《Long, Long Time（英語：Long, Long Time (The Last of Us)）》 		下一集 →
《Endure and Survive（英語：Endure and Survive）》
The Last of Us season 1
The Last of Us (TV series)#Episodes

"Please Hold to My Hand" is the fourth episode of the first season（英語：The Last of Us season 1） of the American 末日幻想 劇情片 television series 最後生還者 (電視劇). The episode was written by series co-creator Craig Mazin（英語：Craig Mazin） and directed by Jeremy Webb. It aired on HBO on February 5, 2023. In the episode, Joel（英語：Joel (The Last of Us)） (佩德羅·帕斯卡) and Ellie（英語：Ellie (The Last of Us)） (貝拉·拉姆齊) encounter an ambush in 堪薩斯城 (密蘇里州). Elsewhere in the city, bandit leader Kathleen (梅蘭妮·林斯基), her second-in-command 最後生還者 (電視劇)角色列表 (Jeffrey Pierce（英語：Jeffrey Pierce）), and their group search for Henry (拉瑪爾·約翰遜 (演員)) and his brother Sam (Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）).

Kansas City replaced 匹茲堡, as seen in 最後生還者 on which the series is based, as Mazin found the production location in 卡爾加里 more closely resembled the city and the distance to Kansas City justified additional character development. The writers felt adapting to television allowed an opportunity to explore characters like Kathleen and Perry, who were not in the game. The episode received positive reviews, with praise for its writing, direction, cinematography, and performances of Lynskey, Pascal, and Ramsey. It was watched by 7.5 million viewers on its first day.

Plot

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開車前往懷俄明州的路上，喬爾（英語：Joel (The Last of Us)）（佩德羅·帕斯卡飾）向艾莉（英語：Ellie (The Last of Us)）（貝拉·拉姆齊飾）提起他與弟弟湯米的過去：疫情爆發後，兩人加入一群前往波士頓的倖存者，並與泰絲和瑪琳相識；總是想為某個理念打拼的湯米接受了火螢的招募，但之後又一走了之。在森林中露營過夜時，喬爾警告艾莉不要相信任何人。隔天，兩人抵達已經荒廢的堪薩斯城。高速公路被堵住，迫使喬爾為了繞道而驅車進城。艾莉看到一名哀聲求助的男子，但喬爾直接朝他輾過去。一塊磚頭打破車子的擋風玻璃，輪胎被釘條刺破，隨後槍聲四起，車子最終撞進了一家洗衣店。

喬爾用步槍射殺了兩個人，艾莉則躲了起來。第三個人布萊恩偷襲喬爾並掐住他，艾莉拿出手槍[a]射擊布萊恩的背，使他下半身癱瘓。喬爾沒收了艾莉的手槍並要她迴避，隨後用刀刺死不斷求饒的布萊恩。在布萊恩的其他同夥發現屍體時，喬爾和艾莉逃離現場。堪薩斯城目前由革命軍佔領，他們在嘉芙蓮·柯格蘭（梅蘭妮·林斯基飾）的領導下推翻了對策局。柯格蘭得知布萊恩等人的死訊後，聲稱兇手是叛徒亨利·布瑞爾雇來的，並命令追隨者搜遍整座城；亨利是當年害嘉芙蓮之兄被當局處決的告密者。與此同時，喬爾指導艾莉如何正確握槍，並同意讓她持槍。

嘉芙蓮的左右手派瑞（Jeffrey Pierce（英語：Jeffrey Pierce）飾）給她看了亨利曾藏身的房間。他們發現地下貯藏室的地板凹凸變形，底下有某種東西在動。派瑞堅決表態要解決這個問題，但嘉芙蓮要他別聲張，優先找出亨利。喬爾挑了一棟視野良好的高層建築，希望能從周遭找出一條逃生路線。在某個房間裏躺下休息時，艾莉講的一個笑話讓喬爾第一次笑了出來。不知道多久後，喬爾被驚慌的艾莉喚醒，並發現一名男子（拉瑪爾·約翰遜飾）和一個小孩（Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）飾）[b]用槍指着他們。

Production

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Conception and writing

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A 51 year-old man with a grey beard smiling to the left of the camera.
The episode was written by series co-creator Craig Mazin（英語：Craig Mazin）.[6]

"Please Hold to My Hand" was written by 最後生還者 (電視劇) series co-creator Craig Mazin（英語：Craig Mazin） and directed by Jeremy Webb.[7][8] The Directors Guild of Canada（英語：Directors Guild of Canada） revealed Webb was assigned to direct for the series in January 2022.[9] In the episode, Kansas City replaces 匹茲堡 as seen in 最後生還者 on which the series is based. Mazin found the production locations in Canada more closely imitated Kansas City and felt Pittsburgh was not important enough to the story to justify the difficulty in manufacturing it. Co-creator 尼爾·德魯克曼, who wrote and co-directed the video game, considered it a superficial change as the characters are more important than the location. He and Mazin felt the additional distance to Kansas City justified the story beats and character development.[1]（11:14） Mazin enjoyed the use of Ellie's joke book in the game and felt its inclusion in the series allowed effective development between her and Joel.[10] Mazin found Joel's decision to allow Ellie to use a gun demonstrated his trust in her, and considered it "the most father-daughter moment they've had".[1]（26:03）

Casting and characters

[編輯]

In August, 拉瑪爾·約翰遜 (演員) and Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）'s casting as Henry and Sam was announced alongside the confirmation of Kansas City replacing Pittsburgh.[11][12] Jeffrey Pierce（英語：Jeffrey Pierce）'s casting as Perry was announced on July 15; Pierce previously portrayed Tommy in the video games.[13] He reached out to Druckmann to offer his support for the series and "was lucky that something came up that fit";[14] he auditioned for a different role three times but Mazin and Druckmann felt his performance was unbelievable "as a victim", ultimately offering him the role of Perry about a week later.[15] Perry is an original character in the show who, according to Pierce, "has huge implications for things" that occurred in the game.[16] The script described him as a former military member.[14]

梅蘭妮·林斯基's casting as Kathleen was announced alongside a teaser trailer for the series in September 2022. Kathleen is an original character[17] created by Mazin as the leader of a group of hunters who appeared in the game.[18] Druckmann found following antagonistic characters made the story more interesting, allowing an understanding and justification of their actions,[1]（16:44） as opposed to being seen as "obstacles" like in the game.[19]（2:42） Mazin compared Kathleen to Madame Defarge（英語：Madame Defarge） from 查爾斯·狄更斯's 雙城記 (1859): a revolutionary who becomes terroristic due to cruel circumstances, which allows the audience to empathize.[1]（19:49）

Mazin, who was friends with Lynskey,[1]（20:13） reached out to her about the role and described the character as "a war criminal".[20] She was initially hesitant until Mazin pitched more about the character, describing her as someone who was forced into a role after the death of her brother, who "was basically 耶穌".[21] She could relate to the character's motivations due to her relationship with her four siblings.[22] Mazin and Druckmann felt her casting was unusual as she has a "sweetness" that conflicts with Kathleen's position in the episode, an intentional decision to intrigue the audience;[1]（23:58） Lynskey wanted to play the character as "soft spoken and delicate" to juxtapose her violence.[21] She felt Kathleen was likely less intense prior to her brother's death but was forced to become hardened due to her circumstances.[20] In response to a comment from 雅芝·加里 stating Kathleen's "body says life of luxury...not post apocolyptic（原文如此） warlord", Lynskey wrote the character was meant to be intelligent rather than muscly.[23] She later added she wanted to portray the character as "feminine, and soft-voiced, and all the things that we've been told are 'weak'", noting she was hoping to subvert expectations.[23]

Music

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The episode title references the lyrics of 漢克·威廉斯's "Alone and Forsaken（英語：Alone and Forsaken）", which is played during the episode and in 最後生還者.[1][24]

The episode's title references the lyrics of "Alone and Forsaken（英語：Alone and Forsaken）" by 漢克·威廉斯,[1]（1:01） which Joel and Ellie play on the radio. The song was used during the same scene in the video game, as well as one of the series' trailers.[24] GameRevolution's Daniel Falconer recognized the lyrics represented Ellie's promises to Joel and foreshadowed her apparent immaturity.[25] The credits use Lotte Kestner（英語：Lotte Kestner）'s cover of "True Faith（英語：True Faith (song)）",[26] which itself was covered by 艾希莉·強森 in-character as Ellie in a 2020 trailer for 最後生還者 第II章.[27] Madeline Carpou of The Mary Sue（英語：The Mary Sue） felt its inclusion reflected Ellie's character arc: her actions in the episode set her down a path towards the events of Part II.[28] Following their use in the episode, "True Faith" and "Alone and Forsaken" ranked sixth and seventh, respectively, on 告示牌 (雜誌)'s Top TV Songs 告示牌榜單 for February.[29]

Filming

[編輯]

Eben Bolter worked as 攝影指導 for the episode.[30] Some of the early scenes were filmed at the 萊斯布里奇高架橋.[31] For the scene of Ellie testing her gun in the mirror, a hole was added to the ceiling with natural sunlight; Bolter wanted it to illuminate Ellie "without being too perfect".[2] 卡爾加里 was used to recreate Kansas City in the episode.[1]（11:14） The scene in which Joel and Ellie hide from the hunters was filmed in an old bar in Calgary, though the location changed several times before filming. It was one of the few times an interior in the series was filmed on 外景拍攝 instead of a 攝影棚; the production team wanted the visuals of trucks driving past, which they found difficult to imitate on a soundstage. The walls were colored a "vivid" red emphasized by 花窗玻璃 near the ceiling.[32] Bolter requested newspapers on the windows to create a diffused, 柔光效應 and make the scene feel more intimate and safe.[32] Additional photography（英語：Additional photography） took place on October 4 near Worlds of Fun（英語：Worlds of Fun） in Kansas City, Missouri, and on Interstate 435（英語：Interstate 435） in 堪薩斯城 (堪薩斯州).[33]

Reception

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Broadcast and ratings

[編輯]

The episode aired on HBO on February 5, 2023.[34] The episode had 7.5 million viewers in the United States on its first night, including 廣播節目編排 and streams on Max (流媒體)—an increase of 17 percent from the previous week（英語：Long, Long Time (The Last of Us)） and 60 percent from 當你迷失在黑暗中.[35] On linear television, it had 991,000 viewers on its first night, with a 0.26 ratings share（英語：ratings share）.[36]

Critical response

[編輯]
The performances of 梅蘭妮·林斯基, 佩德羅·帕斯卡, and 貝拉·拉姆齊 (L–R) were widely praised by critics.[4][37][38]

On review aggregator 爛番茄, "Please Hold to My Hand" has an approval rating of 100 percent based on 33 reviews, with an average rating of 7.7/10. The website's critical consensus called the episode "a terse chapter that's preoccupied with setup over payoff" but "an absorbing watch all the same thanks to Joel and Ellie's budding chemistry".[39]

Lynskey's performance received praise.[5][37][40] Den of Geek（英語：Den of Geek）'s Bernard Boo wrote she "does a fantastic job of coming across as formidable and vicious while letting her character's humanity seep through just enough".[4] The Escapist's Darren Mooney lauded her juxtaposition of a "domestic archetype with something more primal and violent beneath it".[41] Total Film（英語：Total Film）'s Bradley Russell felt Lynskey's performance lacked the necessary intimidation,[3] and 影音俱樂部's David Cote considered her "a counterintuitive choice" for the role, adding he is "waiting to be convinced".[6] 佩德羅·帕斯卡 and 貝拉·拉姆齊's performances as Joel and Ellie were praised;[37][38][42] Den of Geek's Boo lauded their nuance in quieter moments.[4] The A.V. Club's Cote enjoyed Pascal's warmth and humor, particularly in scenes in which he teaches Ellie,[6] and Push Square（英語：Push Square）'s Aaron Bayne felt Ramsey's performance would win over viewers who doubted their casting, lauding their portrayal of both trauma and humor.[43] 華盛頓郵報's Gene Park similarly wrote the episode was "Ramsey's time to flex those muscles" of humor.[44]

Push Square's Bayne found the pacing effectively blended character moments and action sequences, and wanted the episode to be longer as a result.[43] IndieWire's Steve Greene praised Mazin and Druckmann for showing the quiet successes of Joel and Ellie's journey alongside the setbacks.[26] IGN's Simon Cardy enjoyed the humorous moments between Joel and Ellie, though noted the episode was generally weaker as it primarily stands to set up the following one.[37] Total Film's Russell found the character moments provided "just the right amount of levity".[3] Den of Geek's Boo considered Kathleen and her group less interesting than the previous episode's Bill and Frank, but acknowledged their stories remained unfinished.[4] 滾石 (雜誌)'s Alan Sepinwall（英語：Alan Sepinwall） wrote the narrative setup, while less engaging than the previous week, was necessary considering the events of the following episode（英語：Endure and Survive）.

IGN's Cardy compared the cinematography during the ambush sequence to 艾曼紐爾·盧貝茲基's work in 人類之子 (2006), calling it demonstrative of "the classiness on display in every aspect of the show's production".[37] He praised the use of handheld camera（英語：handheld camera） movements and 特寫 shots to follow Joel and Ellie's movements.[37] Push Square's Webb lauded Webb's direction for focusing on quieter moments,[43] and The Escapist's Mooney applauded his decision to keep the camera on Ellie and Kathleen when they fire their guns.[41] 紐約時報's Noel Murray commended John Paino's production design, "from the trashed gas stations to the wreckage-strewn Kansas City streets".[38]

Notes

[編輯]
  1. ^ 在上集，艾莉偷偷將找到的一把手槍藏在背包裏，喬爾並不知情[5]。
  2. ^ 在戲外可知兩人就是亨利和山姆[1]（31:42）。

References

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  1. ^ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 Baker, Troy; Mazin, Craig; Druckmann, Neil. Episode 4. HBO's The Last of Us Podcast (Podcast). HBO. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  2. ^ 2.0 2.1 Hart, Hugh. "The Last of Us" Cinematographer Eben Bolter on Episode 4 & More. Motion Picture Association. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  3. ^ 3.0 3.1 3.2 Russell, Bradley. The Last of Us episode 4 review: "It can't all be sunshine and strawberries". Total Film（英語：Total Film）. Future plc. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  4. ^ 4.0 4.1 4.2 4.3 4.4 Boo, Bernard. The Last of Us Episode 4 Review: Don't Cross Melanie Lynskey. Den of Geek（英語：Den of Geek）. February 5, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  5. ^ 5.0 5.1 Kennedy, Victoria. Let's discuss The Last of Us episode four. Eurogamer. Gamer Network. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  6. ^ 6.0 6.1 6.2 Cote, David. The Last of Us is a little bit country, a little bit urban hellscape. The A.V. Club. G/O Media. February 5, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  7. ^ Bento, Manuel São. The Last of Us Season 1 Spoiler-Free Review. That Shelf. January 15, 2023 [January 25, 2023]. （原始內容存檔於January 15, 2023）. 
  8. ^ El arma secreta de 'The Last of Us' está en sus directores [The secret weapon of 'The Last of Us' is in its directors]. Cinemanía（英語：Cinemanía）. January 19, 2023 [January 25, 2023]. （原始內容存檔於January 19, 2023）.  已忽略未知參數|lang=（建議使用|language=） (幫助)
  9. ^ Haas, Shawnee. 'The Last of Us' TV Series Adds New Directors from 'The Punisher' and 'What We Do in the Shadows'. Collider. Valnet. January 20, 2022 [June 17, 2022]. （原始內容存檔於January 20, 2022）. 
  10. ^ Bennett, Tara. 'The Last of Us' showrunner & Pedro Pascal on why they had to keep Ellie's 'terrible jokes' from the game. Syfy Wire. NBCUniversal. February 6, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  11. ^ Bailey, Kat. Exclusive: HBO's The Last of Us Casts Henry and Sam, But There Are Some Major Differences. IGN. Ziff Davis. August 10, 2022 [August 11, 2022]. （原始內容存檔於August 10, 2022）. 
  12. ^ Louis, Brandon. The Last of Us Set Photo Hints at New Location Not In The Games. Screen Rant. Valnet. March 28, 2022 [March 29, 2022]. （原始內容存檔於March 29, 2022）. 
  13. ^ Petski, Denise. 'The Last Of Us': Jeffrey Pierce, Murray Bartlett, Con O'Neill Join HBO Series Based On Video Game. Deadline Hollywood. Penske Media Corporation. July 15, 2021 [July 15, 2021]. （原始內容存檔於July 15, 2021）. 
  14. ^ 14.0 14.1 Rosenstock, Ben. Jeffrey Pierce on His New Last of Us Role and Old Last of Us Themes. Vulture. Vox Media. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  15. ^ Shankar, Bradly. The Last of Us star says shooting in Alberta was 'maybe my favourite experience filming'. MobileSyrup (Blue Ant Media（英語：Blue Ant Media）). February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  16. ^ Bellingham, Hope. The Last of Us TV show actor says that the scripts are "breathtaking". GamesRadar+. Future plc. July 21, 2021 [July 23, 2021]. （原始內容存檔於July 21, 2021）. 
  17. ^ Romano, Nick. Clicker bait: The Last of Us trailer reveals Yellowjackets star Melanie Lynskey and the infected. Entertainment Weekly (Dotdash Meredith). September 26, 2022 [September 27, 2022]. （原始內容存檔於September 26, 2022）. 
  18. ^ Deckelmeier, Joe. Craig Mazin & Neil Druckmann Interview: The Last Of Us. Screen Rant. Valnet. January 7, 2023 [January 8, 2023]. （原始內容存檔於January 7, 2023）. 
  19. ^ The Last of Us | Inside the Episode - 4. HBO Max. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  20. ^ 20.0 20.1 Stephan, Katcy. Melanie Lynskey Unpacks Her 'Vicious' 'The Last of Us' Character: 'She Doesn't Have a Ton of Humanity'. Variety. Penske Media Corporation. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  21. ^ 21.0 21.1 Romano, Nick. Melanie Lynskey on 'crazy' Mafia game nights with The Last of Us creator and playing 'a war criminal'. Entertainment Weekly (Dotdash Meredith). February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  22. ^ Stephan, Katcy. A Bloodbath and a Bloater: 'The Last of Us' Actors Break Down Henry and Sam's Terrifying Episode. Variety. Penske Media Corporation. February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  23. ^ 23.0 23.1 Gajewski, Ryan. 'The Last of Us' Star Melanie Lynskey Responds to Criticism of Her Casting: "I Don't Need to Be Muscly". The Hollywood Reporter. Eldridge Industries（英語：Eldridge Industries）. February 8, 2023 [February 10, 2023]. （原始內容存檔於February 9, 2023）. 
  24. ^ 24.0 24.1 Sexton, Paul. Hank Williams' Desolate 'Alone And Forsaken' Helps Soundtrack 'The Last Of Us' Episode. uDiscoverMusic. Universal Music Group. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  25. ^ Falconer, Daniel. The Last of Us HBO Episode 4: What Hank Williams 'Alone and Forsaken' Means. GameRevolution. CraveOnline（英語：CraveOnline）. February 5, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  26. ^ 26.0 26.1 Greene, Steve. 'The Last of Us' Episode 4 Introduces a Mysterious New Threat. IndieWire. Penske Media Corporation. February 5, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  27. ^ Petit, Carolyn. The Last Of Us Episode 4 Recap: A Return To The Familiar. Kotaku. G/O Media. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 7, 2023）. 
  28. ^ Carpou, Madeline. 'The Last of Us' Episode 4 Ending Song Is a Deeply Meaningful Easter Egg. The Mary Sue（英語：The Mary Sue）. Abrams Media. February 6, 2023 [February 13, 2023]. （原始內容存檔於February 6, 2023）. 
  29. ^ Rutherford, Kevin. 'The Last of Us' Takes No. 1 on Top TV Songs Chart With a-ha Classic. Billboard. Eldridge Industries（英語：Eldridge Industries）. March 24, 2023 [June 11, 2024]. （原始內容存檔於March 24, 2023）. 
  30. ^ Ettenhofer, Valerie. How The Last Of Us Cinematographer Avoided HBO's Too-Dark Curse [Exclusive]. /Film（英語：/Film）. Static Media（英語：Static Media）. January 23, 2023 [January 25, 2023]. （原始內容存檔於January 23, 2023）. 
  31. ^ Mitchell, Laine. Did you see that: Two recognizable Alberta spots were just spotted in episode four of "The Last of Us". Daily Hive（英語：Daily Hive）. Buzz Connected Media Inc. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  32. ^ 32.0 32.1 Barr, Sabrina. Reality of creating Joel and Ellie's important 'bonding moment' in The Last of Us episode 4 as new threat Kathleen arrives. Metro. DMG Media（英語：DMG Media）. February 6, 2023 [February 7, 2023]. （原始內容存檔於February 6, 2023）. 
  33. ^ Brown, Zoe; Hurrelbrink, Bill. Delays on I-435 due to filming for HBO's 'The Last of Us'. KCTV. October 4, 2022 [October 9, 2022]. （原始內容存檔於October 5, 2022）. 
  34. ^ Sirani, Jordan. How to Watch The Last of Us: Episode Release Schedule and Cast. IGN. Ziff Davis. January 17, 2023 [January 19, 2023]. （原始內容存檔於January 19, 2023）. 
  35. ^ Hailu, Selome. 'The Last of Us' Episode 4 Hits New Series High Viewership Despite Grammys Competition. Variety. Penske Media Corporation. February 6, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  36. ^ Salem, Mitch. ShowBuzzDaily's Sunday 2.5.2023 Top 150 Cable Originals & Network Finals Updated. Showbuzz Daily（英語：Showbuzz Daily）. February 7, 2023 [February 7, 2023]. （原始內容存檔於February 8, 2023）. 
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[編輯]


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